This past week I took some time to answer a few questions Kenny Greene had provided me. Kenny is a sophomore Visual Communications major at Herron School of Art & Design interested in learning about his near future as a design student. I was glad to give him a dose of inspiration. Enjoy!
1. How has your impression of the VC program changed since your first started in VC?
I stepped into the program knowing that I wanted to learn the skill it takes to be a professional designer. I knew that VC wasn’t going to teach me everything there is to know about graphic design and how to market my work, but all I hoped for was for the professors to share their intelligent skill.
Today, there is extreme comfort in the program. My class acts as a family who works together and helps each other out. We all want to be great designers who rule this world and some of us know we are stronger in some areas than others. Their are no surprises in personality. The excitement has only built up throughout this program and yes, stress has always existed as well but I believe without some of the stress I would lose the some of the strength in my work. It keeps me grounded.
Professor Helen Sanematsu has shown me that my design style is not only strong but I can definitely carry it with me throughout my life as a designer, but to just make sure I’m always designing with an open mind. I thank her for her amazing words of wisdom and the confidence she provides me professionally. She is one of the greatest professors I’ve had here at Herron and I hope several others gain from her as much as I have.
2. Did you experience any surprises/obstacles when you began the program?
I remember the first semester into the program I had Professor Lee VanderKooi and he was very intimidating! He would walk into class every morning with such strong expectations for us and to this day I still believe he has had the most influence on me as a designer. I applaud him in my career.
In his VC course I started designing with some hesitation and worked too much in Illustrator, which seems funny to say today since Photoshop is now my greatest friend in the digital world. Once Lee worked with me, I started delivering strong projects.
In Jason Murdock’s Typography course I started weak since I had no prior knowledge in Typography. After Jason shared his great Type skill, second semester I was creating some of my strongest projects to date in his course. It was an amazing accomplishment.
3. What have you experienced communicatively in class with classmates and your professors?
In first semester it was hard to speak to other students while in the design process and even harder to stand up for critique. This of course changed as I progressed but I made sure I grabbed on to a few of my classmates first semester that I knew I could trust, that I saw an interesting spark in their work. This way I knew I could learn most from them as well as get a boost when I needed one. Once group work started I began to work with everyone and realized that we all have our strengths and it just takes a while to find them and build on them.
I was professor shy my first semester of classes. It honestly wasn’t until second semester that I began using my professors as a major tool. They are such an amazing tool that cannot be wasted.
4. What kind of emotions have you experienced most often with VC? (good or bad)
Honestly, I have seen people angry, crying, and laughing. If there was a bipolar art degree, this would be it. I am one of the odd characters in VC. I refuse to find myself camping for the night in the studio. It could possibly be that I’m a bit O.C.D. or just that this program is what I love. Strain and pain isn’t a requirement in this program if you work out a system that fits you. But of course I have gotten angry before, it’s to be expected. You work hard and get sent back to the drawing table, patience can easily get lost.
5. What do you feel when you are in the process of designing?
Excitement. Everything about design is fun in its own little way. I’m not strong on every step of the design process, but as a Junior I have worked hard to make sure every step is effective no matter what. Mapping and organizing thoughts, working on your 100 MPH thinking and sketching are all things that are required to get the best results in your work. I hated the thought when I was first introduced to them all, but now working with them you begin to understand their importance.
6. What experience helped you most in your development as an artist/designer?
Keeping my eyes open as a designer and walking through critiques. I research design everyday and my major influence is Swiss and Dutch design. I know my style today and am very happy with it. It’s great having companies contact me interested in my work. Makes me confident that professionals are beginning to watch me. As for critiques, being a designer we get so drawn into our work when creating that we begin to lose focus on it from other perspectives. Having feedback throughout the process is a high requirement. I might not agree with every suggestion I receive but I do put everything to mind.
Random tune that brings a smile.
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